It only took 70 years for me to make my singing debut.
Fittingly, it was in the Point Arena Theater, where in the decade of the 1950s
I watched over 1,000 movies, most of them forgettable B-grade Westerns. Most of
you reading this have no idea what these Westerns were like, and they were so
forgettable, all I can remember is that towards the end the brave settlers were
just about to be overrun by the murderous red savages, when faintly, far away,
a bugle could be heard announcing the eminent, just in the nick of time,
arrival of the Cavalry. We all jumped, and whooped, and cheered in our seats,
as the blood-thirsty redskins were bloodily vanquished.
Actually, in those days almost no blood spilling appeared on
screen. It was like everyone died of internal injuries.
But as usual, I digress. However, let me continue a
digression that may get me back on track. On the screen on that stage at that
time there were often moments of movie magic we called musicals. As my buddies
groaned while the singers broke into song, and the dancing commenced, my mind
immersed me in the wonders that the composers, lyricists, choreographers,
directors, singers, and dancers intended for me. I watched “Seven Brides for
Seven Brothers” so intently as a twelve-year old in 1954 that by the end of the
third showing (the best films were shown twice Saturday and once Sunday) I had
almost all the lyrics committed to memory. Since Mom cleaned the theater,
brother Ron and I got to watch all the films for free.
And here’s the track again. I easily developed a facility
for remembering songs, and even today (in my mind) can recall and hear songs I
haven’t heard in fifty years. So about two months ago Alice and I went to the
Point Arena Theater for a live performance of Steve Martin’s play, “Picasso at
the Lapin Agile”. All we knew about the play prior to arrival at the theater
was that Steve Martin wrote it – that got our attention! – and that one of our
favorite people, Blake More, had a part and had told us the week before that we
would enjoy the show.
For Alice and I, the show had an unusual beginning that no
one but us noticed: we arrived late, as usual, and as is usual for Point Arena
plays, it began late, and for some strange reason the combination of our
lateness and the play’s late start got us front row seats. Two of the
performers, Bryn Harris and her father, Wayne, were “warming up” the crowd: Bryn
was singing French songs to Wayne’s accompaniment on the harmonica. Pretending
to be an impromptu street performer, Bryn passed a hat and a few dollars were
thrown in. “Now,” said Bryn, “let’s do a sing-along in English.” Turning to her
father, she said, “Play the ‘lonely’ song,” and Wayne began “Are you lonesome
tonight?” I started singing along, and Bryn overheard me and motioned me to
stand with her and sing.
When you’re seventy, you have already done all the “first
times” in your life, but I had never spontaneously sung before an audience.
Years ago I had participated in karaoke arranged by brother Ron and his wife
Kathy at my step-mother Ruth’s 80th Birthday party in Fortuna. I
sang Hank Williams’ “On the bayou” and encored “If you’ve got the money, honey,
I’ve got the time.” Now I found myself singing from memory with this young
lady, Bryn, and soon realized that Bryn had stopped singing and moved into
the audience, leaving me alone to carry on, just as the song reached its
emotional climax:
“Do the chairs in your parlor seem
empty and bare?
Do you gaze at your doorstep and
picture me there?
Is your heart filled with pain,
shall I come back again?
Tell me dear, are you lonesome
tonight?”
With an unwarranted confidence, I sang louder and more
dramatically, reminding myself to keep my mouth open, don’t rush, and don’t
forget to breath. The applause as I finished surprised me, and I grinned and
waved briefly, then took my seat. After just a moment, Bryn came over, pulled a
dollar from the collection hat, said “You earned it,” and put it in my shirt
pocket.
Over the next week I met friends who had been at the performance,
and several said that they didn’t know I could sing like that. “That makes two
of us,” I replied.
(Photo courtesy of Scott Ignacio)
(Photo courtesy of Scott Ignacio)
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